Billy Wilder was at all times concerned about seeing what he may get out of the Hays Code and outdated Hollywood stereotypes, particularly when it got here to intercourse. Consider Barbara Stanwyck’s entrance in “Double Indemnity,” wearing a towel and interesting in a double entender verbal match with Fred MacMurray, or the enduring picture in “The Seven 12 months Itch” of Marilyn Monroe’s white gown being blown into the air by. underground passage. There’s additionally, in fact, the distinctly 1959 queerness of “Some Like It Scorching.” Wilder loves extramarital affairs and taboo relationships.
“Irma la Douce” was made within the low days of the Hays Code, and the chance to deal instantly with the actual actuality of intercourse work, particularly on this easy method, was most likely not opened earlier than in Hollywood. Particularly for a movie of this scale and this pedigree. That is Billy Wilder, Jack Lemmon, and Shirley MacLaine reuniting after their Finest Image winner “The Condominium” from three years in the past (it simply occurs to be my favourite film of all time), and it strikes them away from the center of the present. image to full-out, dangerous farce. MacLaine, specifically, actually pulls off enjoying a personality filled with unbridled power and unabashed sexuality. He and Lemmon have glowing chemistry as they do in “The Condominium,” however the pleasure right here is extra of their comedic performances than of their feelings. The world and taboos Billy Wilder needs to point out is the principle focus right here, they usually each have a variety of enjoyable with them.